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Weitersagen:


Herausgeber: 
  • White Joel
    Autor(en): 
  • Artaud Antonin
  • Revolutionary Messages 
     

    (Buch)
    Dieser Artikel gilt, aufgrund seiner Grösse, beim Versand als 3 Artikel!


    Übersicht

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    Lieferstatus:   Vorankündigung
    Veröffentlichung:  ANGEKÜNDIGT (Januar 2025)  
    Genre:  Architektur, Archäologie, Kunst 
     
    Colonialism and imperialism / Performing Arts / PERFORMING ARTS / Theater / Direction & Production / PERFORMING ARTS / Theater / History & Criticism / POLITICAL SCIENCE / Colonialism & Post-Colonialism / Theatre Studies
    ISBN:  9781350179011 
    EAN-Code: 
    9781350179011 
    Verlag:  Bloomsbury 
    Einband:  Kartoniert  
    Sprache:  English  
    Dimensionen:  H 216 mm / B 138 mm / D  
    Seiten:  256 
    Zus. Info:  Paperback 
    Bewertung: Keine Bewertung vor Veröffentlichung möglich.
    Inhalt:
    Published here in its entirety in English, Artaud's Revolutionary Messages collects Antonin Artaud's political, aesthetic and philosophical writings during his travels to Mexico in 1936. Written around the same time as his seminal work The Theatre and its Double, it captures a crucial point in Artaud's life shortly before he was admitted to a mental asylum in which he was to spend a significant part of his later life. Revolutionary Messages contains conferences that Artaud gave at the University of Mexico, articles from the daily Mexican newspaper El Nacional Revolucionario and a study of three seminal artists of the time influenced by or from Mexico: Franz Hals, Ortiz Monasterio and Maria Izquierdo. Not only will you gain crucial insight into Artaud's time in Mexico and his vision of a "total revolution," which he places in distinction to Marxist and Surrealist conceptions of revolution, but you will deepen your understanding of the philosophical roots of his theatrical project, which ultimately shaped modern theatre and dance. The publication includes an introduction by the translator, Joel White, and a preface by Professor of European Philosophy, Howard Caygill.

      



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