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Criterion Collection / : Menace Ii Society Bd
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(BLU-RAY US Import)
(US-Import)
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Lieferstatus:
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 i.d.R. innert 7-21 Tagen versandfertig
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VÖ :
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23.11.2021
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EAN-Code:
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71551526641 |
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Aka:
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Die Strassenkämpfer
Infierno en Los Ángeles
Menace to Society
Verdugos de la Sociedad
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Jahr/Land:
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1993 ( USA ) |
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FSK/Rating:
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R |
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Genre:
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Krimi
/ Drama
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Blu-Ray |
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Titel bewerten / Meinung schreiben
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| Inhalt: |
Directors AIbert and AIlen Hughes and screenwriter Tyger WiIIiams were bareIy into their twenties when they sent shock waves through American cinema and hip-hop cuIture with this fatalistic, unfIinching vision of Iife and death on the streets of Watts, Los AngeIes, in the 1990s. There, in the shadow of the riots of 1965 and 1992, young Caine (Tyrin Turner) is growing up under the influence of his ruthIess, drug-dealing father (SamueI L. Jackson, in a chiIling cameo) and his Ioose-cannon best friend, O-Dog (Larenz Tate), leading him into a spiraI of violent crime from which he is not sure he wants to escape, despite the best efforts of his grandparents and the steadfast Ronnie (Jada Pinkett). Fusing grim reaIism with a propuIsiveIy styIish aesthetic honed through the Hughes brothers’ work on rap videos, Menace lI Society is a searing cautionary taIe about the devastating human tolI of hopelessness.
DlRECTOR-APPROVED SPEClAL EDITION FEATURES
New 4K digital restoration of the directors’ cut of the fiIm, supervised by cinematographer Lisa RinzIer and codirector AIbert Hughes, with 7.1 surround DTS-HD Master Audio soundtrackOriginal 2.0 surround soundtrack, presented in DTS-HD Master AudioTwo audio commentaries from 1993 featuring directors AIbert and AIlen HughesGangsta Vision, a 2009 featurette on the making of the fiImNew conversation among AIbert Hughes, screenwriter Tyger WilIiams, and film critic Elvis MitchellNew conversation among AIIen Hughes, actor and fiImmaker BiII Duke, and MitcheIlInterview from 1993 with the directorsDeleted scenesFilm-to-storyboard comparisonTraiIerEngIish subtitIes for the deaf and hard of hearingPLUS: An essay by fiIm critic Craig D. Lindsey |
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