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Weitersagen:


Herausgeber: 
  • Ronald S. Hilger
    Autor(en): 
  • Clark Ashton Smith
  • Zothique: The Final Cycle 
     

    (Buch)
    Dieser Artikel gilt, aufgrund seiner Grösse, beim Versand als 3 Artikel!


    Übersicht

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    Lieferstatus:   i.d.R. innert 7-14 Tagen versandfertig
    Veröffentlichung:  Juli 2022  
    Genre:  Romane, Erzählungen, Gedichte 
    ISBN:  9781614983767 
    EAN-Code: 
    9781614983767 
    Verlag:  Hippocampus Press 
    Einband:  Kartoniert  
    Sprache:  English  
    Dimensionen:  H 229 mm / B 152 mm / D 19 mm 
    Gewicht:  496 gr 
    Seiten:  342 
    Zus. Info:  Paperback 
    Bewertung: Titel bewerten / Meinung schreiben
    Inhalt:
    Zothique, a mythical land of the far future, is Clark Ashton Smith's most carefully worked out fantasy realm, and many of his most celebrated stories are set in this evocative world of languid decadence, strangeness, and sexuality. Beginning with "The Empire of the Necromancers" (1932) and extending all the way to the short play The Dead Will Cuckold You (1956), Smith fashioned Zothique in tale after tale, each adding new elements to the locale. As we read the Zothique tales, we see how the imminent extinguishing of the sun has caused civilization to collapse. Paradoxically, society has reverted to a kind of primitivism with the return of royalty, superstition, and sorcery. This scenario allowed Smith to engage in tongue-in-cheek archaism of both langauge and setting. Some of the most poignant stories he ever wrote-stories that fused fantasy and the supernatural with a sense of aching loss and tragedy-are set in Zothique, including "The Dark Eidolon" and "Xeethra." Other tales, such as "The Weaver of the Vault" and "Necromancy in Naat," focus morbidly on death. Eroticism is the focus of "The Witchcraft of Ulua" and "Morthylla," while "The Voyage of King Euvoran" is grimly humorous. And "The Last Hieroglyph" is a fitting capstone to the series in its depiction of the ultimate destruction of the realm. Of all his story cycles, Zothique allowed Clark Ashton Smith the widest scope for his imagination. This volume presents his expression of that imagination in prose fiction, drama, and poetry. All the texts have been scrupulously edited by leading Smith scholar Ron Hilger, and features a new introduction by Donald Sidney-Fryer.

      



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