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Autor(en): 
  • Keith Cunningham
  • The Soul of Screenwriting: On Writing, Dramatic Truth, and Knowing Yourself 
     

    (Buch)
    Dieser Artikel gilt, aufgrund seiner Grösse, beim Versand als 3 Artikel!


    Übersicht

    Auf mobile öffnen
     
    Lieferstatus:   i.d.R. innert 14-24 Tagen versandfertig
    Veröffentlichung:  Oktober 2008  
    Genre:  Architektur, Archäologie, Kunst 
     
    Fernsehen# Drehbücher und Aufführungen / Literaturwissenschaft# 1900 bis 2000 / Literaturwissenschaft# Dramen und Dramatiker
    ISBN:  9780826428691 
    EAN-Code: 
    9780826428691 
    Verlag:  Bloomsbury Academic 
    Einband:  Kartoniert  
    Sprache:  English  
    Dimensionen:  H 233 mm / B 158 mm / D 25 mm 
    Gewicht:  699 gr 
    Seiten:  496 
    Bewertung: Titel bewerten / Meinung schreiben
    Inhalt:
    Uniquely inspired by the work of mythologist Joseph Campbell and psychologist Jean Houston, The Soul of Screenwriting demonstrates how the "screenwriting by numbers" approach that offers templates into which the writer may mechanically drop his or her story idea is fundamentally incomplete. Keith Cunningham maintains that in doing so, one ignores the process of writing. Screenwriting is a long journey and even the most gifted screenwriters get lost along the way. Getting lost, Cunningham reminds us, is part of the process too.


    What the writer experiences in the act of writing has never been taken into account, yet this is where the screenplay comes from: the writer's here-and-now experience while working on the story. Information-left-brain concepts and techniques about plot structure, character development and orchestration, the dynamics of scenes and sequences-is all necessary. But it is what one does with the information that makes a truly great screenplay. In The Soul of Screenwriting, Cunningham demonstrates that good screenwriting is more than hitting the big "plot points" with exciting action. G ood screenwriting also has integrity and authenticity. It has a "voice," and because it has a voice it speaks to the audience. To gain a voice, the writer needs the heat of creative imagination: passion, commitment, enthusiasm, a drive to know the truth of the characters, and an urge to get to the core of the dramatic conflict without resorting to escapism. These are qualities of the heart, and as Cunningham argues, screenwriting can indeed be, in Carlos Castañeda's phrase, a path with heart.

      



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