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Autor(en): 
  • Izabel Galliera
  • Socially Engaged Art after Socialism: Art and Civil Society in Central and Eastern Europe 
     

    (Buch)
    Dieser Artikel gilt, aufgrund seiner Grösse, beim Versand als 3 Artikel!


    Übersicht

    Auf mobile öffnen
     
    Lieferstatus:   Auf Bestellung (Lieferzeit unbekannt)
    Veröffentlichung:  April 2022  
    Genre:  Architektur, Archäologie, Kunst 
     
    Art & design styles# from c 1960 / ART / History / Contemporary (1945-) / HISTORY / Europe / Eastern / History of Art / Later 20th century c 1950 to c 1999 / Left-of-centre democratic ideologies / Socialism & left-of-centre democratic ideologies / Theory of art
    ISBN:  9781350276680 
    EAN-Code: 
    9781350276680 
    Verlag:  Bloomsbury Academic 
    Einband:  Kartoniert  
    Sprache:  English  
    Dimensionen:  H 216 mm / B 138 mm / D  
    Gewicht:  678 gr 
    Seiten:  384 
    Illustration:  30 bw illus 
    Bewertung: Titel bewerten / Meinung schreiben
    Inhalt:
    The post-1989 period has seen artists in Central and Eastern Europe embrace socially engaged practices. Reclaiming public life from the ideologies of both communist regimes and neoliberalism, their projects have harnessed the politically subversive potential of social relations based on trust, reciprocity and solidarity. Drawing on archival material and exclusive interviews, in this book Izabel Galliera traces the development of socially engaged art from the early 1990s to the present in Bulgaria, Hungary and Romania. She demonstrates that, in the early 1990s, projects were primarily created for exhibitions organized and funded by the Soros Centers for Contemporary Art. In the early 2000s, prior to Bulgaria, Hungary and Romania entering into the European Union, EU institutions likewise funded socially-conscious public art in the region.

    Today, socially engaged art is characterised by the proliferation of independent and often self-funded artists' initiatives in cities such as Sofia, Bucharest and Budapest. Focusing on the relationships between art, social capital and civil society, Galliera employs sociological and political theories to reveal that, while social capital is generally considered a mechanism of exclusion in the West, in post-socialist contexts it has been leveraged by artists and curators as a vital means of communication and action.

      



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