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Herausgeber: 
  • Jana Funke
  • Jen Grove
  • Sculpture, Sexuality and History: Encounters in Literature, Culture and the Arts from the Eighteenth Century to the Present 
     

    (Buch)
    Dieser Artikel gilt, aufgrund seiner Grösse, beim Versand als 3 Artikel!


    Übersicht

    Auf mobile öffnen
     
    Lieferstatus:   i.d.R. innert 7-14 Tagen versandfertig
    Veröffentlichung:  Januar 2019  
    Genre:  Geschichte / Politik / Kultur 
     
    B / Civilization—History / Cultural History / Europe—History—1492- / European History / Fine Art / Fine Arts / Fine arts# art forms / Gender Studies / Gender studies, gender groups / History / History of Modern Europe / History, Modern / Modern History / Sociology
    ISBN:  9783319958392 
    EAN-Code: 
    9783319958392 
    Verlag:  Springer International Publishing 
    Einband:  Gebunden  
    Sprache:  English  
    Serie:  Genders and Sexualities in History  
    Dimensionen:  H 216 mm / B 153 mm / D 21 mm 
    Gewicht:  503 gr 
    Seiten:  300 
    Zus. Info:  HC runder Rücken kaschiert 
    Bewertung: Titel bewerten / Meinung schreiben
    Inhalt:
    This book investigates the wide-ranging connections between sculpture, sexuality, and history in Western culture from the eighteenth century to the present. Sculpture has offered a privileged site for the articulation of sexual experience and the formation of sexual knowledge. As historical objects, sculptures also draw attention to the different ways in which knowledge about sexuality is facilitated through an engagement with the past. Bringing together contributors from across disciplines, including art history, classics, film studies, gender studies, history, literary studies, museum studies, queer theory and reception studies, the volume presents original readings of sculptural art in relation to antiquarianism, aesthetics, collecting cultures, censorship and obscenity, psychoanalysis, sexology, and the experience and regulation of museum spaces. It examines how sculptural encounters were imagined and articulated in literature, painting, film and science. As a whole, the book opensup a new understanding of the ways in which sculptures, as real or imagined objects, have fundamentally shaped approaches to and receptions of the past in relation to sex, gender and sexuality.

    Chapters 8 and 10 of this book are available open access under a CC BY 4.0 license at link.springer.com.
      



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