Heinrich Schenker's theoretical and analytical method occupies a central (and often troubling) position in modern Anglo-American musical studies. This book rereads Schenker's project as an attempt to reconstruct music theory as a discipline against the background of the empirical musical sciences of the later nineteenth century, such as the psychological and historical investigations of music.
i.d.R. innert 5-10 Tagen versandfertig
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