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Herausgeber: 
  • Simon Holland
  • PAUL MULHOLLAND
  • Katie Wilkie
  • Allan Seago
  • Music and Human-Computer Interaction 
     

    (Buch)
    Dieser Artikel gilt, aufgrund seiner Grösse, beim Versand als 3 Artikel!


    Übersicht

    Auf mobile öffnen
     
    Lieferstatus:   Auf Bestellung (Lieferzeit unbekannt)
    Veröffentlichung:  April 2015  
    Genre:  EDV / Informatik 
     
    Application software / B / Computer Appl. in Arts and Humanities / Computer applications in the arts & humanities / computer science / Computers and civilization / Computers and Education / Computers and Society / Digital Humanities / Education—Data processing / Ethical & social aspects of IT / Expert systems / knowledge-based systems / Personal computers / Personal Computing / Special Purpose and Application-Based Systems / Special purpose computers / User interfaces (Computer systems) / User Interfaces and Human Computer Interaction
    ISBN:  9781447161271 
    EAN-Code: 
    9781447161271 
    Verlag:  Springer Nature EN 
    Einband:  Kartoniert  
    Sprache:  English  
    Serie:  Springer Series on Cultural Computing  
    Dimensionen:  H 235 mm / B 155 mm / D  
    Gewicht:  4569 gr 
    Seiten:  292 
    Illustration:  VIII, 292 p. 
    Zus. Info:  Previously published in hardcover 
    Bewertung: Titel bewerten / Meinung schreiben
    Inhalt:
    This agenda-setting book presents state of the art research in Music and Human-Computer Interaction (also known as 'Music Interaction'). Music Interaction research is at an exciting and formative stage. Topics discussed include interactive music systems, digital and virtual musical instruments, theories, methodologies and technologies for Music Interaction. Musical activities covered include composition, performance, improvisation, analysis, live coding, and collaborative music making. Innovative approaches to existing musical activities are explored, as well as tools that make new kinds of musical activity possible. Music and Human-Computer Interaction is stimulating reading for professionals and enthusiasts alike: researchers, musicians, interactive music system designers, music software developers, educators, and those seeking deeper involvement in music interaction. It presents the very latest research, discusses fundamental ideas, and identifies key issues and directions for future work.

      



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