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Weitersagen:


Herausgeber: 
  • Vanhaelen Angela
  • Ward Joseph P.
  • Making Space Public in Early Modern Europe: Performance, Geography, Privacy 
     

    (Buch)
    Dieser Artikel gilt, aufgrund seiner Grösse, beim Versand als 3 Artikel!


    Übersicht

    Auf mobile öffnen
     
    Lieferstatus:   Auf Bestellung (Lieferzeit unbekannt)
    Veröffentlichung:  März 2013  
    Genre:  Geschichte / Politik / Kultur 
     
    Early modern history# c 1450/1500 to c 1700 / European History / HISTORY / Europe / Renaissance / History and Archaeology / Human Geography / LITERARY CRITICISM / General / LITERARY CRITICISM / Renaissance / Literary studies# c 1500 to c 1800 / Literary studies# general
    ISBN:  9780415661096 
    EAN-Code: 
    9780415661096 
    Verlag:  Taylor and Francis 
    Einband:  Gebunden  
    Sprache:  English  
    Serie:  Routledge Studies in Renaissance Literature and Culture  
    Dimensionen:  H 229 mm / B 152 mm / D  
    Gewicht:  750 gr 
    Seiten:  306 
    Illustration:  schwarz-weiss Illustrationen, Raster,schwarz-weiss, Zeichnungen, schwarz-weiss 
    Bewertung: Titel bewerten / Meinung schreiben
    Inhalt:
    Broadening the conversation begun in Making Publics in Early Modern Europe (2009), this book examines how the spatial dynamics of public making changed the shape of early modern society. The publics visited in this volume are voluntary groupings of diverse individuals that could coalesce through the performative uptake of shared cultural forms and practices. The contributors argue that such forms of association were social productions of space as well as collective identities. Chapters explore a range of cultural activities such as theatre performances; travel and migration; practices of persuasion; the embodied experiences of lived space; and the central importance of media and material things in the creation of publics and the production of spaces. They assess a multiplicity of publics that produced and occupied a multiplicity of social spaces where collective identity and voice could be created, discovered, asserted, and exercised. Cultural producers and consumers thus challenged dominant ideas about just who could enter the public arena, greatly expanding both the real and imaginary spaces of public life to include hitherto excluded groups of private people. The consequences of this historical reconfiguration of public space remain relevant, especially for contemporary efforts to meaningfully include the views of ordinary people in public life.

      



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