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Lieferstatus:	i.d.R. innert 14-24 Tagen versandfertig
Veröffentlichung:	September 2010
Genre:	Sprache
ISBN:	9780748638222
EAN-Code:	9780748638222
Verlag:	Edinburgh University Press
Einband:	Kartoniert
Sprache:	English
Serie:	Edinburgh Critical Guides to Literature
Dimensionen:	H 219 mm / B 138 mm / D 15 mm
Gewicht:	302 gr
Seiten:	240
Bewertung:	Titel bewerten / Meinung schreiben

Inhalt:

Edinburgh Critical Guides to Literature Series Editors: Martin Halliwell and Andy Mousley This series provides accessible yet provocative introductions to a wide range of literatures. The volumes will initiate and deepen the reader's understanding of key literary movements, periods and genres, and consider debates that inform the past, present and future of literary study. Resources such as glossaries of key terms and details of archives and internet sites are also provided, making each volume a comprehensive critical guide. Contemporary British Drama David Lane This book provides a critical assessment of dramatic literature since 1995, situating texts, companies and writers in a cultural, political and social context. It examines the shifting role of the playwright, the dominant genres and emerging styles of the past decade and how they are related. Beginning with an examination of how dramatic literature and the writer are placed in the contemporary theatre, the book then provides detailed analyses of the texts, companies and writing processes involved in six different professional contexts: new writing, verbatim theatre, writing and devising, Black and Asian theatre, writing for young people and adaptation and transposition. The chapters cover contemporary practitioners, including Simon Stephens, Gregory Burke, Robin Soans, Alecky Blythe, Kneehigh Theatre, Punchdrunk, Kwame Kwei-Armah, Edward Bond, Filter Theatre and Headlong, and offers detailed case-studies and examples of their work. Key Features * The first book to examine contemporary British drama from the In-Yer-Face era (1995 - 2000) to the present day and track the changes and developments through this period * Extended case-studies of Simon Stephens, Gregory Burke and Caryl Churchill and the last decade of new writing in Britain * Focus on recent adaptation, including Kneehigh Theatre, Punchdrunk, Filter Theatre and Headlong David Lane is a dramaturg, playwright and freelance lecturer. He w